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where Beaux-Arts terminals
The Bloodletters Beacon — Koken Patent Blueprint captures the working geometry of the Victorian barber's trade — the angles
1877 — a centennial group portrait assembled in the Hayes inaugural year
The lithographer's grid imposes order on a hundred years of contested elections
Zachary Taylor: The Nation's Choice for Twelfth President of the United States 1847 — a campaign portrait minted in the afterglow of Buena Vista
Representation of the Massacre of American Prisoners in Dartmoor Prison, April 6, 1815 (1845) Chicago map print where Beaux-Arts terminalsRepresentation of the Massacre of American Prisoners in Dartmoor Prison, April 6, 1815 (1845). A documentary engraving struck three decades after the fact, recalling the volley fired into War of 1812 captives still held on English granite weeks after the peace had already been signed at Ghent. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical
