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to which he dedicated over three hundred lithographs
and finally transplanted into the rice paddies
1833 circa)
Plate for Derrière le miroir 92-93
con margini editoriali intonsi
HASUI KAWASE, Luna di primavera, spiaggia di Ninomiya , 1932 sculture to which he dedicated overStunning proof with excellent colors. Printed on Japanese paper after 1956 as per the engraver's and printer's stamps. In perfect condition, with excellent margins all around. Shadowing bokashi superbly executed everywhere. Bibliography K. H. Brown, Kawase Hasui. The Complete Woodblock Prints, 2003, p. 428, n. 273 K. H. Brown, Visions Of Japan: Kawase Hasuis Masterpieces, Hotei, 2004, n. 29 Art Institute of Chicago https: www. artic. edu artworks
