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in occasione dell’esposizione dell’artista al Musée d’Art Moderne di Parigi
but structures framed by beams and surrounded by rocks
small ornaments whose use dates back to the prehistoric Jomon era
Perfect impression printed on 200 gram Magnani paper from Pescia
Limited edition of 300 copies
ARMAN, Traces de violon sur fond bleu, 1987 vasi in occasione dell’esposizione dell’artista alPerfect impression in the second edition printed in a total of 500 copies, published by Bergstrom, Malm, Sweden, part of a portfolio. Perfect preservation, with untrimmed margins and publisher's stamp on the front. Bibliography J. Othezguine, M. Moreau, Arman Estampes. Catalogue raisonn, Marval Editions, 1990, n. 250
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