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Dalla ripetizione della parola “NoName”
Unlike the original lithography
painting to graphics
and transformations of the landscape contribute to constructing a dense and evocative image of Fuji and the world surrounding it
The long robe and large fan of the nobleman suggest an affected taste for elements of Chinese origin
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 1, 1834 vasi Dalla ripetizione della parola “NoName”A splendid impression with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Selected Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New